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  <body-html>&lt;p&gt;The fact that Matthew Dear&#8217;s second-ever release as Jabberjaw (and his first for Spectral Sound) is called Garden of Eden is no mistake&#8212;the music reflects a back-to-basics approach, displaying bracingly minimal textures and primal repetition in a way that makes Dear&#8217;s Jabberjaw alias unique.&lt;/p&gt;
&lt;p&gt;&#8220;A Goat on Fire in the Garden of Eden&#8221; opens the EP on an absurdist note, as a gently scuffed kick drum gets company from a barnyard&#8217;s worth of odd, rhythmic sounds, from a slowed-down glass harmonica to a monster with the hiccups. It gets noisy in there, but Jabberjaw keeps things loose and funky underneath the polyrhythmic melee. &#8220;The Connie Shake&#8221; is a shaggy-limbed take on soul, featuring a pared-down beat, some lite-jazz keys, and an eerie police siren. &#8220;Safety Flirt&#8221; is the Garden of Eden EP&#8217;s strangest and most compelling moment, dripping tiny squelches and snare hits into the spaces within a sly, slinky micro-beat. The song gains momentum as the off-beats accumulate, turning a simple minimal house beat into a hissing, burbling serpent of a track.&lt;/p&gt;</body-html>
  <created-at type="datetime">2009-10-09T12:26:28-04:00</created-at>
  <handle>jabberjaw-the-garden-of-eden</handle>
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  <published-at type="datetime">2009-10-13T10:10:59-04:00</published-at>
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  <title>The Garden Of Eden</title>
  <updated-at type="datetime">2009-11-17T06:39:23-05:00</updated-at>
  <vendor>Jabberjaw</vendor>
  <tags>Audion, Jabberjaw, Matthew Dear, SPC-78</tags>
  <body>The fact that Matthew Dear&#8217;s second-ever release as Jabberjaw (and his first for Spectral Sound) is called Garden of Eden is no mistake&#8212;the music reflects a back-to-basics approach, displaying bracingly minimal textures and primal repetition in a way that makes Dear&#8217;s Jabberjaw alias unique.

&#8220;A Goat on Fire in the Garden of Eden&#8221; opens the EP on an absurdist note, as a gently scuffed kick drum gets company from a barnyard&#8217;s worth of odd, rhythmic sounds, from a slowed-down glass harmonica to a monster with the hiccups. It gets noisy in there, but Jabberjaw keeps things loose and funky underneath the polyrhythmic melee. &#8220;The Connie Shake&#8221; is a shaggy-limbed take on soul, featuring a pared-down beat, some lite-jazz keys, and an eerie police siren. &#8220;Safety Flirt&#8221; is the Garden of Eden EP&#8217;s strangest and most compelling moment, dripping tiny squelches and snare hits into the spaces within a sly, slinky micro-beat. The song gains momentum as the off-beats accumulate, turning a simple minimal house beat into a hissing, burbling serpent of a track.</body>
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