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  <body-html>&lt;p&gt;&#8220;That&#8217;s That,&#8221; Audion&#8217;s sixth release in his nonstop 2009 assault of singles, has duel personalities, comprising two discrete movements within its eight-and-a-half minutes&#8212;a theme-and-variation approach that makes for a brain-warping listen. First, we get the main theme&#8212;a rapid-fire call and response between an acid-tinged bass groan and a two-toned &#8220;ping!&#8221;&#8212;repeated and modulated, riled up and cooled down ad infinitum. At the halfway point, Audion pulls out the rug from under us: mashing the samples up against one another, twisting the pings into mobius strips, folding the bass back over itself, and riding the beat, laughing devilishly, into the sunset.&lt;/p&gt;</body-html>
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  <body>&#8220;That&#8217;s That,&#8221; Audion&#8217;s sixth release in his nonstop 2009 assault of singles, has duel personalities, comprising two discrete movements within its eight-and-a-half minutes&#8212;a theme-and-variation approach that makes for a brain-warping listen. First, we get the main theme&#8212;a rapid-fire call and response between an acid-tinged bass groan and a two-toned &#8220;ping!&#8221;&#8212;repeated and modulated, riled up and cooled down ad infinitum. At the halfway point, Audion pulls out the rug from under us: mashing the samples up against one another, twisting the pings into mobius strips, folding the bass back over itself, and riding the beat, laughing devilishly, into the sunset.</body>
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